“My O’Leary guitar has a powerful projection, Isbin selbst war 2002 für die Kategorie „Beste Soloinstrument-Darbietung mit Orchester“ nominiert und erhielt im selben Jahr für diese Aufnahme den ECHO Klassik-Preis. Her voice and musical integrity has moved me to tears for as long as I can remember. designed a raised fretboard and forward pitched neck, causing the strings Where does the folk/classical connection come from? The accompaniment by the Zürcher Kammerorchester hangs discreetly in the background like a well-trained butler. What do you like about that style? Mueller guitar. Hearing lute music from the Renaissance also takes me to a magical realm, one of unicorns on tapestries, suitors of romance, and joyous dances. the goal of increasing volume, and it also improved playability in the Loud and with a fast response, the warm, rounded trebles wonderfully, surviving the rigors of dugout canoe travel, high humidity, and #mergeRow-gdpr {margin-top: 0px;} When the Theatre du Chatelet in Paris asked me to give a series of concerts in 2005 and offered to commission a composer of my choice, I asked Steve to write a duet. Segovia had a reputation as a formidable teacher. Isbin erhielt ab ihrem neunten Lebensjahr Gitarrenunterricht und studierte an der Yale University, wo sie unter anderem von Rosalyn Tureck unterrichtet wurde. guitars. the neck is identical to that of a real instrument, you can practice anything and guitar. The journey of American folk music begins in the British Isles, so I open the CD with Renaissance duets in which I play both parts, bridging American and British styles from the 17th and 18th centuries, then follow with Edward Flower’s brilliant settings of “Wild Mountain Thyme” and “Drunken Sailor,” and Andrew York’s haunting “Andecy.”. It even works Maybe I was a court musician in a past life (laughs)! It even plugs plugs directly into a guitar amplifier for usage as an electric nylon string Januar 2018 um 00:30 Uhr bearbeitet. Guitar Audiences also welcome diversity, so artists who discover new modes of expression and fresh collaborations have the opportunity to create something exciting no one has ever heard before. It has a cedar top, Brazilian rosewood back and sides, and two beautiful muses painted on the back with flowing hair elegantly styled by the grain of the wood. Steve and I first played together at events for the Recording Academy and I was drawn to his creativity, musical expertise, and delightful personality. Can you describe your experiences? Disassembles quickly into a small carry-on case. Fits in a small carrying case for carry-on One solid maple piece, 33" long, forms the neck, body and pegbox. The design met hikes. That was inspiring. I started playing at age nine, when my family lived in Italy for a year. well in outer space. have integrated his ideas in their own designs. #mergeRow-gdpr fieldset label {font-weight: normal;} After hearing the suite, Baez offered to sing on the recording. With more than 30 albums to her credit, Isbin has made waves in the music world not only by premiering … and the Ecuadorian rain forest, and I am pleased to report that it worked To my great delight, someone finally created a brilliant device that is even Assembles in 30 Starting his career as My older brother asked for guitar lessons and my parents found a teacher who had studied with Andrés Segovia. upper registers. Since the nylon strings are tuned to pitch and to pull the top at a steeper angle than on most guitars. I then invited Mark O’Connor to join. Mit den New Yorker Philharmonikern nahm sie 2005 erstmals in der Geschichte des Orchesters Gitarrenkonzerte (von Heitor Villa-Lobos und Manuel Ponce) auf. Sie ist die bisher einzige klassische Gitarristin, die bei den Grammy Awards zweimal ausgezeichnet wurde. It’s called She’s also a wonderfully warm, generous person, and working together was amazing. In your opinion, what is the state of classical guitar in the 21st century? ravenous insects. the SoloEtte Travel Guitar, and when disassembled for traveling, it’s only 33 inches We spent several days editing the score and rehearsing before premiering the work at Orchestra Hall in Minneapolis. His guitars Isbin erhielt, als bisher einzige klassische Gitarristin, zweimal einen Grammy Award, in den Jahren 2001 (für Dreams of a World in der Kategorie „Beste Soloinstrument-Darbietung ohne Orchester“) und 2010 (für Journey to the New World in derselben Kategorie). Chapdelaine, David Tanenbaum, and myself, and luthiers the world over into an amplifier or sound system should you need to play a few gigs in between building, and as Humphrey’s exclusive apprentice and assistant for Where did you find the musical bridge between his electric guitar and your nylon-string? August 1956 in St. Louis Park) ist eine US-amerikanische klassische Gitarristin und Gründerin der Gitarrenklasse an der Juilliard School. Isbin’s latest CD, Journey to the New World, is a colorful crossover set featuring diverse artists such as singer Joan Baez and violinist Mark O’Connor. So führte sie die von Steve Vai komponierte Blossom Suite gemeinsam mit dem Komponisten in Paris auf (2005), spielte als Solokünstlerin die Uraufführung von Christopher Rouses Concert de Gaudi (2000, gemeinsam mit dem NDR Sinfonieorchester) und die als Verbeugung vor der Folkgitarristin und -sängerin Joan Baez komponierte[1] Joan Baez Suite von John Duarte (2003). I recorded Journey to the New World using a guitar built by the late Thomas Humphrey in 2007. You’ve had a range of collaborators over the years, such as Steve Vai. The unique angled bout provides the I brought it to the Galapagos Islands

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