drury lane theatre 18th century

[manuscript], 1760 July 22. To build on that might prove a vain presumption, Poetical miscellany of David Garrick [manuscript], ca. Dulles, Joseph, c. 1754-1818. Drury Lane Theatre. Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833. Miscellaneous manuscripts, 1820. Crowquill, Alfred. Dance, Henry, fl. Autograph letter signed from William Powell, Theatre Royal, Drury Lane, to unidentified recipient [manuscript], 1799 March 15. . New York Shakespeare Festival Records. Additional manuscript 29710 [microform]. Hull, Anna Maria, 1727-1805,. Elliston, R. W. (Robert William), 1774-1831. .Drury Lane Theatre, London, The. Letter signed from Samuel Whitbread, Dover Street, to Mrs. Garrick [manuscript], 1812 June 10. A case of conscience [manuscript], ca. Autograph letter signed by Garrick to Mr. Wallis of Norfolk Street [manuscript], 1775 September 22. Prologue and epilogue for Shakespeare's Macbeth at Drury Lane [manuscript], 1794 April 21. James II issued a formal declaration to attempt to correct issues with Restoration theatre such as immorality and profaneness. Miscellaneous]. Foote, Maria, 1797?-1867,. Sheridan, Richard Brinsley, 1751-1816. List of plays performed in London in the hand of James Winston, 1728-42 [manuscript], 18th or 19th century . . Kean, Edmund, 1787-1833. Agreement between R.W. Papers, 1792-1826 (inclusive), 1812-1820 (bulk). Autograph letter signed from Anna Maria Hull to [Elizabeth] Edmead, No. Colman, George, 1762-1836. Specializing in a more raucous form of promiscuous comedy, he would go on to produce a wide range of successful plays during the final decade of the seventeenth century. Each time they write they venture all they’ve won: “Sir William Davenant”. Beaumont, Francis, 1584-1616. 1808-ca. Autograph letter signed from John William Calcraft to R.W. Autograph letters signed from J.S. Autograph letter from Thomas Blanchard to Mr. Dunn or Mr. Winston [manuscript], 1824 May 1. His 1697 production, The Mourning Bride, was a change from the otherwise comedic nature of his works. Photograph. Autograph manuscript of Kemble's parts in 34 plays in the hand of John Philip Kemble [manuscript], 1783-1805. Web. 2012 Charles II was reinstated in 1660. The design and architecture of the actual stage, as well as advances in stage machinery, gave way to a flourishing theatrical era in the 1660s. Lee, Alexander, 1802-1851,. Autograph letter initialed from Stephen Price to Edmund Shaw Simpson, New York [manuscript], 1832 December 14. After The Duke’s Company moved out of Lincoln’s Inn Fields, a new theatre was created to take its place. Garrick, David, 1717-1779. Autograph letter initialled from Sheridan to [Thomas] Greenwood [manuscript], 1795 November 18. The third and final form of comedy during the Restoration is the comedy of Intrigue. Elliston, R. W. (Robert William), 1774-1831. Michael Kelly Papers, 1790-1835. Kean, Edmund, 1787-1833. The Thomas Goodwin collection, 1818-1884. Munro, Cockermouth, Cumberland [manuscript], 1826 June 19. Drury Lane Theatre. Hull, Anna Maria, 1727-1805,. 1808-ca. Order to pay Edward Laughlin from William Carents [manuscript], 17th or 18th century. Raymond, James Grant, d. 1817,. Autograph letter from Sir John Fielding, Bow St., to David Garrick, Esqr. 6 May 2012. Collier, John Payne, 1789-1883,. Autograph letter signed from Joseph Ebsworth, Drury Lane Theatre, London, to [James Winston?] Copy of extract from Evening True Sun commenting on Mr. Booth's performance of Richard III at Drury Lane Theatre, November 21, 1836 [manuscript], [19th century?]. Autograph letter from Dorothy Jordan, Bushy House, to Mr. Shaw, Theatre Royal, Drury Lane [manuscript], 18th or 19th century. Autograph letter signed from J.L. Please contact our customer service team. Autograph letter signed from John Howard Payne, Covent Garden, to C.W. Autograph letter signed from Lord Stafford, Cleveland House, London, to Edmund Kean [manuscript], 1819 March 7. Autograph letter signed from E. Randall, 29 Berners Street, to Mrs. Garrick [manuscript], 1803 April 27. Ansell, Sarah, fl. [manuscript], [1819?]. The Country Wife, written in 1675, is a piece that in many ways represents the vast majority of the comedies produced during the Restoration. Agreement between Alfred Bunn, manager of Drury Lane Theatre, and Charles Kean [manuscript], 1837 December 30. These three types are: Humour, Manners, and Intrigue. Bellamy, Richard, 1743?-1813,. Lease counterpart from John Rose Drewe to Sir Watkin Williams Wynn [manuscript], 1800 April 7. Hopson, William Fowler, 1849-1935. “Restoration Drama.” Theatre History. Jordan, Dorothy, 1761-1816,. Autograph letters signed from Caroline Dickens [i.e. [Richard Brinsley Sheridan] of Drury Lane Theatre with S.I. Inchbald, Mrs., 1753-1821. Autograph letter signed from Henry Graves, Drury Lane, to John Brougham [manuscript], 1875 April 24. Copy of the plan of the orchestra and pit at Drury Lane, [ca. Agreement between Thomas Simpson Cooke and the Theatre Royal Drury Lane [manuscript], 1833 January 26. Drury Lane Theatre. Another common trend in theatre during the Restoration period was the reinterpretation of older plays. No sign of a signature (by Wren or anyone else) or a date appears anywhere on the drawing. Richard Brinsley Sheridan papers connected with the Drury Lane Theatre, 1768-1825. Drury Lane Theatre. Drury Lane Theatre. Autograph letter signed from Willoughby Lacy to David Garrick [manuscript], 1776 September 21. Receipt from John Moody to John Grubb, manager of Drury Lane [manuscript], 1796 May 24. Autograph ocassional prologue by David Garrick spoken at the opening of Drury Lane House [manuscript], 1750. Winston, James, 1773-1843. Collection of miscellaneous manuscript items of Eva Maria Garrick [manuscript], 18th-19th century. Playbill from Drury Lane Theatre for performance of The alchymist [manuscript], 1774 December 6. Drury Lane Theatre. Performances such as Hamlet, Macbeth, and The Tempest were heavily revised and altered to appeal to the larger audience. 1809. Receipt from Benjamin Dean Wyatt to Samuel Whitbread, London [manuscript], 1812 August 17. Theatrical autograph album of James Winston [manuscript], 1804-1842. Irving, Henry, Sir, 1838-1905. 1818,. 1820-1845. Drury Lane Theatre. Elliston, R. W. (Robert William), 1774-1831,. Willmott, John, 19th cent. 1677-1737,. WorldCat record id: 122455650 The Duke’s Theatre, planned by William Davenant and designed by Christopher Wren. WorldCat record id: 122455650, Permalink: http://n2t.net/ark:/99166/w62r7hj2. Knowles to W.C. Macready [manuscript], 1823-1830. Terms and conditions  ~   During this time period, known as the Commonwealth, theatres were closed. Fielding, John, Sir, 1721-1780,. Theatrical records of Drury Lane, Covent Garden, and Haymarket theatres [manuscript], 1764-1786. Elliston, R. W. (Robert William), 1774-1831. Winston, James, 1773-1843. Drury Lane Theatre. Autograph letter signed from F. Reynolds, London, to unidentified recipient [manuscript], 18th or 19th century Monday. Writers did not seek to reform their works. Drury Lane Theatre. This addition allowed for sexually suggestive scenarios on stage to become even more open and raunchy, a quality that greatly suited the public taste during this time. The Andrew W. Mellon Foundation Popular Theatres Garrick, David, 1717-1779,. 16. Maddocks, Walter, d. 1823,. Additional manuscript 31974 [microform]. Howard, Edward, fl. The theater was later known as the Royal Theatre, Drury Lane, and then the Drury Lane Theatre. Playbill for performances of Jane Shore and Lodoiska, 1795 Oct. 5. Elliston or any of the managers, [Royal Theatre Drury Lane], [not after 1833] Nov. 23. [Thomas Caldecott] to John Mander, Bampton, Witney, Oxford [manuscript], 1797 November 30. Elinson, Edward, fl. Autograph letters signed from James Grant Raymond to various people [manuscript], ca. Shenstone, William, 1714-1763. Nettleton, George. Kemble, Stephen, 1758-1822,. Additional manuscript 31973 [microform]. Sheridan, Richard Brinsley, 1751-1816,. No need to register, buy now! Library. Garrick, Eva Maria, 1724-1822. 17 May 2012. Powell, William, 1762-1812,. The journal of I. Williams Jr. [manuscript] : containing an account of all remarkable occurrences which have come to his knowledge commencing on Easter Monday 1816, 1816-1817. Encyclopædia Britannica Inc., 2012. Clayton, Thomas, 1673-1725. [manuscript], ca. Copies from London playbills 1741-1814 [manuscript], ca. Receipt signed from William Bayrand to Drury Lane Theatre [manuscript], 1804 April 25. Playscripts and Promptbooks Collection, 1795-1978 (bulk 1870-1915). Papers, 1804-1916. Drury Lane Theatre. Papers arising out of the destruction of Drury Lane Theatre [manuscript], 1809-1819. Edward Craig Theatre Collection : ephemeral documents, 1613-ca. Article of agreement between R. W. Elliston and Isaac Nathan and Elizabeth Blake [manuscript], 1823 August 14. Collier, John Payne, 1789-1883,. Byron, George Gordon Byron, Baron, 1788-1824. 13 May 2012. Mayhew, James, 1771-1845. 1660-ca. 1794-1808,. Havard, Mr. (William), 1710?-1778,. Theatrical register [manuscript], 1819-1823. Autograph letter from Mrs. Mountani, 49 Rathbone Place, to Mrs. Garrick [manuscript], 18th or 19th century Wednesday morning. Drury Lane Theatre. Copy of prologue for Lethe, [1740 April 15] [manuscript], 18th century. Kenrick, W. (William), 1725?-1779. Shakespeare, William, 1564-1616. Garrick, David, 1717-1779,. Miscellaneous documents of Drury Lane Theatre [manuscript], 1774-1827. Literary Manuscripts collection, 1666-1990. Princeton University. 1826 January. After being burnt down by a fire in 1672, Sir Christopher Wren sketched out a new architectural framework and the second Theatre Royal was created. Fawcett, John, d. 1793. Papers, 1693-1917 (inclusive), 1762-1917 (bulk). Sovereign (1760-1820 : George III). The company moved to it’s permanent location in 1671 (“Restoration Theatres”). Promptbook for William Charles Macready in Antony and Cleopatra, 1833 July 13. (2012). Nightly receipts of Edward Warren in order of amount [manuscript], 1813-1814. Randall, E.,. “Western Theatre History.” English Restoration: Theatre Movements. Johnsonian Miscellanies, extra-illustrated, 1538-1900 (inclusive);, 1738-1866 (bulk). John Rich letter to the Managers of the Theatre in Drury Lane, circa 1772. Pass to admit two to the boxes at Theatre Royal, Drury Lane, 1821 Feb. 2. Warwick Castle (Warwick, England). National Archives and Records Administration. Encyclopædia Britannica. Gear, Joseph, 1768-1853. Shaw, Thomas, fl. Friar Rush, or, Harlequin and King Gold [microform]. Download this stock image: Front view of the Drury Lane Theatre in the 18th century. Autograph letter from Lord Petersham to [Edmund Kean], [1818?]. Suffered at first some trifling stakes to win: 1819,. This image is no longer for sale. 18th/19th cent.,. His most notable works were The Recruiting Officer and The Beaux’ Stratagem, composed in 1706 and 1707, respectively. The only tragedy that he would produce during his career, The Mourning Bride met with good reception and would go on to coin several famous phrases, including “Hell hath no fury like a woman’s scorn (“William Congreve”).” Congreve’s career would be short-lived, however, as audience preferences began to shift away from the “comedy of manners” style towards the end of the Restoration.

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